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Ludwig van Beethoven

Violin Sonata No. 4 in a minor, Op. 23 Play

Program Notes Sonata No. 4 for Violin and Piano in A Minor, Op. 23 Ludwig van Beethoven (1770-1827) German composer Ludwig van Beethoven casts such a long shadow as a composer that even nearly 200 years after his death he remains the subject of popular movies, scholarly. Program Notes Sonata No. 4 for Violin and Piano in A Minor, Op. 23 Ludwig van Beethoven (1770-1827) German composer Ludwig van Beethoven casts such a long shadow as a composer that even nearly 200 years after his death he remains the subject of popular movies, scholarly. Program Notes: Ning Feng. Ludwig van Beethoven: Violin sonata no. 1 in D major, Op. 1 Ludwig van Beethoven wrote his first violin sonatas, a set of three (Op. Six more sonatas appeared by early 1803, and one more in 1812. Notes Originally scanned at about 160pi, converted to 600dpi monochrome (file #52414). Original images: 300dpi, grayscale djvu files approx. 2900 by 3780 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. Pianist Doris Stevenson present a recital of L.van Beethoven Violin and Piano Sonatas celebrating the composer's 250th anniversary. The featured sonatas allow the violin and piano duo to shine in a truly collaborative spirit. Sonata No.4 in A minor Op.23, written in the classical style of.

Recorded on 06/29/2012, uploaded on 09/22/2012

Musician's or Publisher's Notes

Beethoven originally intended this to be published as a contrasting companion piece to his 'Spring' Sonata, and indeed the two works appeared together as Op. 23 in 1801. However, due to a publishing error, the sonatas appeared in print under consecutive opus numbers, 'Spring' taking Op. 24.

The opening Presto begins with a grim, thrusting theme that contrasts with a spare little melody that spirals upward. Both subjects are propelled by a tarantella-like rhythm, which almost never relents through the course of the movement.
The middle movement's odd marking, Andante scherzoso più allegretto, reveals a combination scherzo and slow movement. The opening theme is presented in symmetrical halves before developing into a delicate fugue variation on itself. A full-fledged second theme finally appears as a trilling figure first in the piano, then the violin.

The rondo finale, Allegro molto, is woven from an agitated minor-mode theme that hardly changes in its several reappearances. The first contrasting section, in A major, would offer welcome relief if it were not for Beethoven throwing the violin and piano out of synch with each other—a device he would use to more comic effect in the 'Spring' Sonata. The second and third contrasting sections are more relaxed, major-mode episodes, soon interrupted by the bleak, unsettled primary motif, which winds down to the conclusion of the piece. Ilana Setapen

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The Violin Sonata No. 4 of Ludwig van Beethoven in A minor, his Opus 23, was composed in 1801, published in October that year, and dedicated to Count Moritz von Fries. It followed by one year the composition of his first symphony, and was originally meant to be published alongside Violin Sonata No. 5, however it was published on different sized paper, so the opus numbers had to be split. Unlike the three first sonatas, Sonata No. 4 received a favourable reception from critics.

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